Something to tell you

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I’m happy to say that I’ll be presenting a two-week season of Not Much To Tell You at Brisbane’s Metro Arts!

It is wonderful to be presenting the performance at the very home where it was nurtured and developed. I was selected for Metro Arts’ Creative Development program during their July-December block last year, and they were warmly supportive and critically helpful in developing my first solo show. Not Much To Tell You had its first season in Perth earlier this year, co-presented by Fringe World and The Blue Room Theatre. Since then, some people have been asking “Are we ever going to see it in Brisbane?” Yep! This one’s for you, Brisbabes.

This show was developed with financial support from the awesome people who contributed to my Pozible campaign last year. I want to thank you all again: Ashley, Mark Cottman-Fields, Rae White, Amy Fletcher, David Vincent Smith, Kate Zahnleiter, Sam Vaughn, Larry Cox, Alexis Malinkowski, Sandy Torode, Tom Hogan, and many more anonymous supporters.

It was nice of Metro Arts to have me back even though this is what I do when they leave me alone in their performance space:

Not Much To Tell You opens on 27 August and runs through the Queensland Poetry Festival, until 6 September. Tickets go on sale soon – more info at the Metro Arts website.

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Oh Fringe World!

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It’s the final week of Fringe World and I am having more fun than a hipster at Bogan Bingo. We had a great season of Not Much To Tell You at The Blue Room Theatre, and although I very much enjoyed the show run, it was a relief to wake up on the final morning and not have to wonder about ticket sales.

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After bumping out my final show, I needed to find a way to unwind after a week of shows. I left The Blue Room Theatre thinking, food? Eat everything in Northbridge? Or maybe collapse onto one of my friends? Then, we walked past robot busker guy, and I had my answer.

In my downtime after Not Much To Tell You finished, I have been soaking up everything Fringe has to offer. Most particularly, many shows by many very fine and talented artists. I’ve just come from Brian Finkelstein’s First Day Off In A Long Time, which was a masterful example of honest, vulnerable storytelling, and pretty damn brutal. I guess any story that takes place on a suicide hotline is going to be brutal. But Brian’s a master at keeping the tension just bearable – and he’s bloody funny.

Last night I caught the Lords of Luxury and had my biggest laughs so far this Fringe. These four suited-up gentlemen had me gripping my sides like an idiot. It turns out what I really like in my sketch comedy is absurdist pop culture references, deadpanning, and wigs (see: Slumber Party Time Travel).

Adam Peter Scott’s Book Fight was an education in Stephen King’s back catalogue. Ostensibly a game show where panel guests answer questions about books, it was really a competition to see who could bring the most snark. To my mind, the night’s winner was burlesque performer Sugar du Joure for her handling of Adam Peter Scott, who kept groping (word choice intentional) for jokes about her ample neckline. (Scott, staring: “My mind’s gone blank.” Sugar: “It’s always like that.”)

A sweetly absurd adventure through dystopia was She Was Probably Not A Robot. Delightful, silly, and shot through with an unexpected vein of poetry. Stuart Bowden had the audience on side from the start, and pulled us into his cartoonish, faintly threatening world with ease. I’m a heart-fan of dystopian storytelling anyway, but Bowden’s spandex antics won me over the rest of the way. Also, great beard.

Fringe World, you are the bomb.

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