Oh Fringe World!

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It’s the final week of Fringe World and I am having more fun than a hipster at Bogan Bingo. We had a great season of Not Much To Tell You at The Blue Room Theatre, and although I very much enjoyed the show run, it was a relief to wake up on the final morning and not have to wonder about ticket sales.

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After bumping out my final show, I needed to find a way to unwind after a week of shows. I left The Blue Room Theatre thinking, food? Eat everything in Northbridge? Or maybe collapse onto one of my friends? Then, we walked past robot busker guy, and I had my answer.

In my downtime after Not Much To Tell You finished, I have been soaking up everything Fringe has to offer. Most particularly, many shows by many very fine and talented artists. I’ve just come from Brian Finkelstein’s First Day Off In A Long Time, which was a masterful example of honest, vulnerable storytelling, and pretty damn brutal. I guess any story that takes place on a suicide hotline is going to be brutal. But Brian’s a master at keeping the tension just bearable – and he’s bloody funny.

Last night I caught the Lords of Luxury and had my biggest laughs so far this Fringe. These four suited-up gentlemen had me gripping my sides like an idiot. It turns out what I really like in my sketch comedy is absurdist pop culture references, deadpanning, and wigs (see: Slumber Party Time Travel).

Adam Peter Scott’s Book Fight was an education in Stephen King’s back catalogue. Ostensibly a game show where panel guests answer questions about books, it was really a competition to see who could bring the most snark. To my mind, the night’s winner was burlesque performer Sugar du Joure for her handling of Adam Peter Scott, who kept groping (word choice intentional) for jokes about her ample neckline. (Scott, staring: “My mind’s gone blank.” Sugar: “It’s always like that.”)

A sweetly absurd adventure through dystopia was She Was Probably Not A Robot. Delightful, silly, and shot through with an unexpected vein of poetry. Stuart Bowden had the audience on side from the start, and pulled us into his cartoonish, faintly threatening world with ease. I’m a heart-fan of dystopian storytelling anyway, but Bowden’s spandex antics won me over the rest of the way. Also, great beard.

Fringe World, you are the bomb.

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Week 2 of Fringe World!

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Well it’s the second week of Fringe World and this is my busy week. Not Much To Tell You opens tomorrow night – woop! I’m doing a five-show run from Tuesday to Saturday. Pretty pumped to get in the theatre and meet some new audiences.

First week of Fringe was pretty hectic, too. Almost as soon as I landed in Perth I was off to PICA to watch Tim Watts and Wyatt Nixon-Lloyd’s lo-fi puppetry spectacular, BRUCE. It was pure entertainment, all managed with one bit of sponge for a puppet and some homespun genius. I took one of my besties with me, and it is always a joy to introduce another person to Watts’ plays. We both bought our own little Brucies to take home with us: Little Bruce sleeps in my socks.

I also caught the puzzlingly obscure What A Joy To Be Alive at The Blue Room Theatre. I won’t pretend to know what it was about, but sometimes I like to see a show I don’t understand. Gets the ol’ mind grapes going. My friend and I had a great time sharing our notes afterwards and finding out we’d both guessed completely differently about the show’s meaning. There were some haunting uses of lighting and performer Tom Davies’ physicality that will stay with me.

Over the weekend I had the pleasure of watching old mate Ella Bennett and her partner in comedy Marnie Allen (both ex-Pelican crew) present their “balls-out” adventure through time and space, Slumber Party Time TravelI think Bennett is one of the most promising new comedy writers coming up at the moment, and in combination with Allen she is just ridiculous. The one-liners kept coming, as sharp as the flick-knives they casually pulled from their bras. When Allen donned a beard and wig and became the future, rat-burger-selling version of Bennett’s high school crush, I nearly busted a rib. Bennett and Allen form Slow Loris Productions, and I very much hope to see more from them in the future (even at the risk of my ribs).

Another highlight of last weekend was going down to Cottesloe Beach to protest WA’s shark cull. Seven people have been killed by sharks in Western Australia in the last three years (which I would argue is a pretty slim number considering the thousands of people who enter the water every year), and the Barnett government has responded with a bait-and-kill policy. Sharks are now being caught and shot in the head, without having attacked a human. Around 6,000 people turned out on Saturday to protest the policy. It was a pretty impressive sight (see gallery below).

On to more frivolous news – my Twitter account reach 600 followers yesterday. I am continuing my tradition of recording a special message for each hundredth follower. This time it was Sarah Breheny, for whom I will be singing a special poem from an undisclosed Fringe World location. I’ll be recording it tomorrow, so check my Twitter feed if you like watching me embarrass myself (apparently the prospect was quite popular with my existing followers … thanks fronds).

EDIT: Here be a link to the video! For @ladybface, my 600th Twitter follower.

Live from the Denmark Festival of Voice: bucket list TICKED.

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This weekend I am writing to you from the Festival of Voice in Denmark (not the country). Denmark is a lovely little town tucked away in the south-west of Western Australia, nestled amongst forests – the perfect place to wander around listening to choirs, bands and singers (and even a poet or two).

Down by the river in Denmark, WA.

Down by the river in Denmark, WA.

I’m here with my friend and fellow poet Kate Wilson; we are both performing in the festival, so I am very lucky to get to share my first solo-festival-show experience with a close friend. I also get to emcee her show tonight, which is a pretty great honour!

This weekend I have ticked two major things off my bucket list: I performed my first solo show in a festival (at the Denmark RSL Hall, rock ‘n’ roll). Secondly – and more terrifyingly – I sang. A song I wrote. In public. For actual people. And I survived, hurrah!

I’m selling merch here at the fest – it’s a little zine of one of my more popular poems, ‘What Is She’ (pictured below). I’ve hand-written each stanza of the poem in typography, inspired by kinetic poems. They’re also available for sale online – DM me on Twitter (@kplyley) or leave a message on here if you would like to buy a copy. They’re only $4 each! (Free postage within Australia. International peeps – message me and we can work something out.)

Festival program and merch.

Festival program and merch.

That’s all I have time to write, as there are still more shows to see, gigs to emcee, and deadlines for more future projects coming up … Exciting things! See you back in Brisbane, blogosphere.

With the support of Express Media, Fringe World, and the Sunday Times, I am very pleased to introduce BUZZCUTS PERTH!

Buzzcuts is a program that trains young writers and broadcasters in critical arts reviewing. After running successfully in Melbourne for 15 years, this year the program is expanding to include Perth, with the support of Express Media, Fringe World, and the Sunday Times.

Buzzcuts Perth gives successful applicants the chance to see several Fringe World shows for free, write reviews and see them published on the Perth Now website. Participants will also be trained in writing critical arts reviews at a free orientation session.

The program is open to writers aged 18-25 who live in the Perth area and are interested in developing their skills as entertainment/arts writers.

Participants are expected to attend at least two shows during Perth’s Fringe World festival (26 January – 19 February) and to produce two accompanying reviews. In addition, participants are required to attend the compulsory orientation to be held in mid-January (date to be confirmed).

To apply, please submit the following:

  1. Your contact information (name, street address, email address, phone number, and date of birth)
  2. A cover letter outlining why you would like to be involved and any experience you have relevant to the area (experience in arts reviewing is preferable but not essential)

Send applications to:

Kaitlyn Plyley

kaitlynplyley@gmail.com

Applications close: 5pm, Sunday 14th of January 2012.

Successful applicants will be contacted via email.

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